part two of >the kings of techno< with 11 tracks compiled by laurent garnier & carl craig !!!

>'numbers< from kraftwerk and nitzer ebb s >let your body learn< in two funkin techno remakes !!

classic ebm electro retro tracks, limited red colored dj release

oscar mixes techno-electro and some tough bass thats purely f-in rockin! on the flip is the highly talked about blackstrobe remix that gives the track a completely new sound design reminding us of new order or nitzer ebb, following the melody of the original whether new york, berlin, or ibiza, this is surely going to rock any dancefloor

after releasing on such high profiled labels as swayzakãs 240 volt & force inc. seattle based tom butcher is back under his codebase aka for some truly impressive us techno mayham. you can hear that he's been influenced by moroder, nitzer ebb, new order, maurizio..

with travailleur en trance (tet) rotorik is showing us a other face of himself, excisting since 1993.. real electronic body music is celebrated there.. for fans of bands like nitzer ebb, front 242 or klinik ..

phat ebm , new wave style 2005, plus slamming techno horrorist remix, very depeche mode & nitzer ebb sounding

good price for good music! da allerorts die begeisterung Ÿber die kauzig-effektiven, elektronischen orgien in remixform nicht abriss, ist es nur gerecht, ein zweites mal eine werkschau auf einer cd zu prŠsentieren. mit den remixen fŸr: depeche mode, underworld, ellen alien, ršyksop, fsol, ...

terence fixmerÕs path through the changing techno landscape of the past 20 years has been anything but direct. indeed, the french born producer, musician and planete rouge label founder has long been influenced by the periphery of continental european dance music subgenres from electronic body music, new beat and acid, before combining them into his own pioneering hybrid of futuristic, ebm-inflected techno with classic releases such as 2001Õs muscle machine or the collaborative between the devil lp with nitzer ebbÕs douglas mccarthy as fixmer/mccarthy. while the sound in recent years has been rediscovered and recast in diverse contexts by a new generation of producers, through the cortex sees fixmer gravitating toward a different kind of industrial-tinged electronics, led as much (or more) by analogue sequencers, melodies and ultra-saturated sounds of synthesizers than drums and percussion. across eight tracks at a compact but varied 40 minutes, the lp touches on an aesthetic hinted at in recent ostgut ton releases (2016Õs beneath the skin ep and 2017Õs force ep), revealing a sonic narrative through noisy, screaming synth/vocal riffs with a jagged, guitar- like post-punk sensibility.

trevor jackson prŠsentiert den ersten release auf seinem neu gegrŸndeten label pre-, fŸr bislang unveršffentlichtes archivmaterial: eine zeitlose techno/ebm/electro-kollektion von pinklunch, eines playgroup-seitenprojekts aus 2003, das nur auf compilations in erscheinung trat (u.a. auf dj hells gigolo records, des pariser trendladens colette, sowie des berliner clubs f.u.n.). neun tracks, darunter ein cd-bonus, featuring vocals von douglas mcarthy (nitzer ebb) und chloe (c.a.r).